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DTSTAMP:20250625T113040Z
DESCRIPTION:The Doctoral Colloquium is open to all.\n\nDoctoral Colloquium:
  Emanuelle Majeau-Bettez\n\n\nTITLE:\n\nThrough Time and Space: Éliane Rad
 igue’s Relationship to Sound \n\n \n\nABSTRACT:\n\nComposer Éliane Radigue
  is the only French composer of her generation who is regularly cited as a
  pioneer of synthesizer-based electronic music. Over the six decades of he
 r career\, Radigue has been dedicated to building a body of work in which 
 natural microbeats between frequencies replace rhythmic\, or other more tr
 aditional forms of\, sound organization. A significant component of my dis
 sertation consists in documenting the electronic phase of Radigue’s career
  as well as her more recent collaborations with instrumentalists. However\
 , in this presentation I show how\, in my research\, the record of Radigue
 ’s life as a composer is part of a larger argument that reconsiders canoni
 cal events in the history of contemporary music through Radigue’s perspect
 ive. Analyzing the history of contemporary music through the frame offered
  by Radigue’s six-decade-long career offers many advantages. First\, it is
  an opportunity to highlight the very different meanings that the notion o
 f “composer” has taken on since the post-World War II era and\, most impor
 tantly\, it calls for an analysis of these conceptual shifts in terms of t
 he gender conventions of the time. Second\, I argue that Radigue’s sound\,
  and particularly the listening mode embedded within her compositional met
 hod\, continues to open a space that enables different artistic approaches
 .  \n\n \n\nBIOGRAPHY:\n\nEmanuelle Majeau-Bettez is a PhD candidate in Mu
 sicology with option in Gender and Women’s Studies at 51�Թ���\, 
 where she is supervised by David Brackett. Her research focuses on the ele
 ctronic phase of Éliane Radigue's career as well as on the composer's pres
 ent collaborations with instrumentalists. Among other publications\, Emanu
 elle is the author of the thematic dossier on Éliane Radigue\, published o
 n the Ircam's documentation database B.R.A.H.M.S. She is a member of the e
 ditorial board of Circuit\, musiques contemporaines and she participates i
 n the MICA (Musical Improvisation and Collective Action\, Ircam) and ACTOR
  (Analysis\, Creation and Teaching of Orchestration) research projects. \n
 \n \n\n \n
DTSTART:20220930T203000Z
DTEND:20220930T223000Z
LOCATION:C-201\, Strathcona Music Building\, CA\, QC\, Montreal\, H3A 1E3\,
  555 rue Sherbrooke Ouest
SUMMARY:Doctoral Colloquium (Music): Emanuelle Majeau-Bettez
URL:/music/channels/event/doctoral-colloquium-music-em
 anuelle-majeau-bettez-342436
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